Writing the Missing

All of the work that I do, write, make and create seeks to make the invisible visible. As a disabled person I have felt like a missing, I still often feeling like a missing, I don’t want anyone else to feel the same. As a creative practitioner I specialise in working with people that creative organisations and spaces often find easier to ignore. Or call ‘hard to reach’ – which seems to suggest that the problem is with that particular community, not in the barriers they face which are often reinforced by the places seeking to work worth them. This often comes down to access and building relationships, two fundamental parts of any work that I do.

I undertook some coaching and that’s when I had the realisation that all the creative work I had done, and want to do, fits under the umbrella of Writing the Missing. Once I said it out loud and drew myself a rubbish picture, it was astonishing how all of a sudden everything started to come together… Here you can learn how to contribute to the project, and read abut all the different strands it weaves together.


How you can contribute

Please help me to Write/Right the Missing! Please would you use the contact form and send me your missing. This could be something you physically miss, something personal, something you feel you’re missing from. It could be any of those things or none of those things. I promise to keep your missing safe and anonymous and to use it with care and kindness. You can read more about it on my blog.


Durham Book Festival Film Commission – Writing the Missing: A River Cycle and Disability Arts Showcase

I was commissioned by Durham Book Festival to create a film based on my New Narratives of the North East commission, ‘Writing the Missing: A River Cycle’. I have written, produced, directed and performed in the film, and have also been in the position to be able to commission three new pieces of work in response. These are from extraordinary North East disabled artists Bex Bowsher, Sarah Crutwell  and Vici Wreford-Sinnott. Working with filmmaker, Rob Irish, I have transposed from page to film, creating something new. In a beautiful, startling and mesmeric lyrical dialogue with my brain, the river and the sea, I weave together character and setting to provoke debate and action: 25% of people in the North East are disabled, why do we not take up that cultural space?

With captions, BSL interpretation and audio description embedded from the beginning, this film shows the power of disability arts; that access is a right, a right which leads to creative freedom, innovation and wonder.

You can come and meet me online, by the river for the premiere on 10th September 2020 at 5pm. Tickets and more details are available here.


Little Cog Staging Our Futures Commission – Writing/Righting the Missing

hand drawn on white A4 paper. In grey pen it says Writing/Righting the Missing. There is a yellow umbrella with WtM on its canopy.
image description: hand drawn on white A4 paper. In grey pen it says Writing/Righting the Missing. There is a yellow umbrella with WtM on its canopy.

In July 2020 I was awarded one of three Staging Our Futures commissions by the incredible disabled led theatre company Little Cog and funded by Arts Council England.

You can read the announcement of the commission here.

Little Cog Staging Our Futures commissions are aimed at disabled theatre makers who are pushing boundaries, questioning the world we live in and delivering powerful performance work. We want to support vibrant and pioneering artists who make work that provokes, excites and engages audiences.

This commission will buy me time and space to research and develop Writing/Righting the Missing as a one-woman piece of accessible theatre. It will be radical, wild, challenging, quiet, kind and brave. It will push me as a performer and a writer. It will be creatively accessible, built in as part of the creative process right from concept.


Disconsortia Commission – Project Fear & Evolution – a strand of Writing the Missing

photo description: Lisette's hair is messy. She is wearing her dressing gown and is working in bed. Soft toys on the headboard behind her, a bedside table with penguin covered water bottle, an alarm clock and a lamp. She has a pen top in her mouth, she is holding her pen and concentrating on writing in a yellow notebook.
photo description: Lisette’s hair is messy. She is wearing her dressing gown and is working in bed. Soft toys on the headboard behind her, a bedside table with penguin covered water bottle, an alarm clock and a lamp. She has a pen top in her mouth, she is holding her pen and concentrating on writing in a yellow notebook.

I was awarded a commission by Disconsortia for Project Fear and Evolution – a strand of Writing the Missing. To research and develop the beginnings of a workshop, or a ‘something’ which can provide a tool kit/space for others to safely and bravely fail.

Everything will be accessible.

Built on this provocation:

  • Do you have room and support to fail?
  • How can you make this happen?
  • How could you make something not ‘fail better’, but fail more?
  • How can you build safety and fear and bravery into this for yourself and for others?
  • How do we evolve if we don’t try? If we don’t fail?
  • If we’re not given the room and support to fail?

As an artist so many projects are outcome driven, to know the outcome before you begin. To know it will work. How do I grow and evolve as an artist, if I know what it is when I begin, if I already know I can do it? How can I be bold and leap?

Especially for disabled artists where the pickings and opportunities due to power structures which we have no place in are already slim. Where the need is outcome driven and for ‘exceptional’ art. It pigeon holes us even more as churning out same old.

I do not want to be same old.

I want to be bold, to fail. To have the possibility of failure, of evolution, of not knowing where I will end up.

So far, it seems to want to be a board game. Who knew this at the start? Not me! ANd that kind of is also my point…


New Writing North New Narratives Commission – Writing the Missing – A River Cycle

It’s unusual to find a competitive commission which completely fits a project which is your heart song. This was just that.

photo description: turquoise background, blue text reads 'In order to thrive we need strong narratives and stories, which help shape our collective imagination.'
photo description: turquoise background, blue text reads ‘In order to thrive we need strong narratives and stories, which help shape our collective imagination.’

My commission for New Narratives of the North East is titled Writing the Missing – A River Cycle. It is a collision of poetry, verbatim text from interviews I’ve conducted with disabled artists, lyrical essay and manifesto looking at disability arts and crip culture in the North East, how we do not take up enough cultural space, and linking this to an ambitious form based on a river cycle.

The work will be presented in a variety of forms from autumn 2020, including as essays, films, podcast episodes, and as part of a special digitally-focused Durham Book Festival, before being collected in an anthology to be published in 2021.


The Wrecklings – a novel for middle grade readers

red and white Souter Lighthouse, and its fog horn stand looking out to sea. The Wrecklings is set here.
photo description: red and white Souter Lighthouse, and its fog horn stand looking out to sea. The Wrecklings is set here.

How do you know that writing is for you, adventures are for you, the world is yours for the taking, if you don’t see yourself reflected in books on the shelves? THE WRECKLINGS is my middle grade novel which is full of adventure and intrigue, set in a lighthouse on the north east coast and just so happens to be full of disabled characters doing all of the adventuring. It won me a place on the Write Now programme from Penguin Random House and secured me representation by The Bent Agency in agent extraordinaire Molly Ker Hawn. Fingers crossed, it’s coming to a book shop near you soon…


Creative Leadership Programme – SSE

In July 2020 I gained a highly competitive and sought after place on the 2 year programme Creative Leadership, delivered by the School for Social Entrepreneurs and funded by Arts Council England.

It is designed to enable me to to develop and apply leadership skills in order to create greater social impact within the arts and cultural sector in England for the duration of the programme and beyond. I will be using the time to develop Writing the Missing as an ongoing project. It will give me time and space to work on the following:

  • Develop personally and feel more confident about achieving ambitions
  • Build a support network of people in similar roles
  • Create greater social impact through my work as an artist/creator/maker/producer
  • Improve my business and entrepreneurial skills
  • Learn how to strengthen the project I work on
  • Benefit from time to reflect and map out next steps
PROUDLY SUPPORTED BY Creative Leadership in black font centre aligned. Below this the school for social entrepreneurs and supported by Arts Council England Logos
image description: PROUDLY SUPPORTED BY Creative Leadership in black font centre aligned. Below this the school for social entrepreneurs and supported by Arts Council England Logos